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The Future That Never Was: KITTY KITTY - #2 THE TWISTED HEIST

RR link
Previous chapter (RETRO COSMOS)
#2 - THE TWISTED HEIST
A star had just gone out in the distance, sending its entire system, planets and moons, into oblivion. So, what was a simple life compared to a sun? Did the human existence that earthlings highly cherished in the past deserve so much fuss?
I would say no, of course, because I’m a cat. Our condition to us felines will never have to pale in front of a shiny astronomical object. Mine specifically, don’t you think?
Oswald Avery was merely a Homo sapiens. A retired buccaneer, fermenting his adulterated wine on the carcass of a drifting supercargo; all under the remodeled features of a former Galactic Trade Company’s pilot. Alas, regardless of the genetic disguise, the FID rarely lied. It hadn’t fooled us and the masks had fallen off. Just like him.
I’m such a poet.
Anyway… Avery had had a long life of crimes and adventures. He was full of energy in his youth. And as in the universe, nothing is lost, nothing is created, everything is transformed, this energy was reincarnated in a nice amount in our bank account once the old picaroon flatlined.
“We finally got it! And it was a traditional Martian contract. Payable remotely, on condition that the FID is validated. How about that?”
“God… Lee … you’re talking to yourself and it’s only 8 a.m.,” Ali grunted behind me.
My couch potato of an associate had her head still stuck in the cereal box she was nibbling before falling asleep binge-watching Captain Caveman on ABC.
“To begin with, it’s 8 p.m., Martian Time. And we do have a positive balance in our bank account for the first time in months! Do you know what that means, partner?”
“Shopping, bitches!” she shouted as she hurled herself into the void, gliding to the bathroom in the weightlessness.
With the cardboard box on the top of her head, this sugar bishop was swimming after the remnant cereals that floated on her path like Ms. Pac-Man.
“Hell! Have I just opened Pandora’s box?”
The liner Danaë and its forty-eight post-nuclear Baltimore-XVIII heavy reactors made its annual cruise from Lunapolis to the suburbs of Ceres, in the belt. Its figurehead with the effigy of the Greek princess was a two hundred meters long, green ceramic statue. The size of the ship exceeded some inhabited asteroids’ diameter so it possessed its own substantial gravitational field.
“It’s quite a symbol of the decline of humanity,” I said to Ali, pointing with my chin at this unique work of art.
“Why?” my partner asked without caring whatsoever. “Spill the beans, Plato.”
The Kitty had obtained permission to dock and began its approach. I concluded then:
“Humanity no longer erects great and beautiful things without turning them into a shopping mall.”
The gold and ivory Danaë was one of the most luxurious epicenters of human decadence in the system; comprising hotels, casinos, megastores and amusement parks spread over a dozen centrifugal rings. There was something for everyone’s wallet, ready to be emptied, whether one was welcomed at the port or had joined during the crossing.
And to my great regret, the cape of the Danaë was just passing by us that week.
“I believe we should keep our savings for the maintenance of the Swallow. The dashboard lights up like a Christmas tree. Some parts need to be changed…”
“You’re such a bore with your adult talks,” my partner said as she left the fitting room of a luxury chain overlooking the main deck. “What do you think of that? Sexy as fuck, right?”
Her camisole didn’t hide a single inch square of flesh and I subtly pointed it out to her:
“It’s a bit of a back-alley Sally.”
I took a blow on the nose which, this time, was amply justified.
“There’s nothing chicer than Borderline. You don’t know anything about fashion. It’s crazy!”
She was furious. It was entertaining. But she was right. The human female fads were way over my head and I wasn’t a good adviser. Mostly because I didn’t care. At all.
Fortunately, the upscale shopping mall where we were staying had provided us with a free assistant who was even more servile than a decerebrate canine. As usual, the robot carrier that accompanied us did the job by flattering her with its unbearable honeyed tone:
“I find you charming, Madame. Here we have the latest fashionable lingerie on Mars. It’s an ephemeral collection that appears to have been specially made to mold your discreet curves, which seem to have been sculpted by the seraphim.”
Ali gave me a satisfied look that I pretended to ignore. Then she backtracked into the fitting room to put her black suit and pink jacket back on.
I took the opportunity to climb on the shoulders of this silly robot, servant of our servants and last link in this hierarchy whose origins go back to Ancient Egypt.
“One more move like this and I’ll turn you into a gum dispenser.”
The automaton apologized before my partner’s head emerged from behind the silk curtains which were far too fragrant for my taste.
“I just checked; it’s too expensive anyway. I ain’t buying it,” she announced. “Can you order a taxicab to take us to the hotels’ ring? You’d be a sweetheart.”
Happy to leave this irascible human with her robotic slave, I proceeded to the nearest service terminal. By the time I requested a vehicle, a flying cigarette dispenser could light me a Lucky.
“It’s forbidden to smoke in our store, Monsieur.”
The customer attaché, in his blue silk suit with elephant legs, had appeared out of nowhere. Yet, with such a shiny tie, this punk should have dazzled me from the Kuiper belt.
“Please be kind and get me a Pepper Coke instead of ruining my eyesight…” I grumbled in response.
I was in an awful mood. I definitely hated shopping. And people. Yet the pedestrian avenues of the Danaë had a very exceptional population density. Perms were making a strong comeback, as were neon tattoos and overly open flowered shirts. Under the false UVA/B sun, it was a true dance of flesh, steel and plastic bodies with assumed nudity. Implants and surgery erased the hazards of the genetic lottery for better or worse. It was so superficial. So futile. So human.
“Hello, handsome!” Ali cried out, a large smile across her face. “Lee? You didn’t tell me you knew Christophe Lambert! You know I'm a huge Highlander fan!”
My partner had just joined me, arms loaded with bags massive enough to live in it, start a family and park my chromic Pontiac Firebird. All were filled with C$400 t-shirts and sneakers that she didn’t need and would only put on once.
“No smell. Hologram,” I conclude by throwing my cigarette butt through the smiling ghost.
“Shame!” Ali sighed.
She then looked at her terminal, and continued:
“Do you think I have time to grab a watch module? There are sales in the Japanese aisle! I saw some GD-8 that would go well with my new Game Pocket! This boat is fucking rad!”
Ali could not stop humming Who wants to live forever. I had to rub my temples to avoid a migraine before the arrival of our taxicab five minutes later.
These were miniature limousines with double fake leather benches, facing each other at the back. There was a minibar with expensive multicolored drinks and sugar-soaked snacks, the sapiens’ primary source of calories and high Gs space travel drug. For the sensitive, the smart-fridge provided diet sodas with aspartame, but no one took it. Finally, there were free Gauloise cigarettes next to the ashtray on the armrest. And even Tylenol!
“What a time to be alive!”
Right after leaving the fashion district, a soft voice of a young woman, who appeared to us through the armored porthole separating her from her customers, finally emerged from the cockpit:
“Good evening! I’m Miss Meera. At your service. Hotel de Saint-Malo, correct?”
I nodded. She smiled at us. She was beautiful with her incredibly dark night metal skin that contrasted strongly with her silvery-white hair. She also had charming ivory eyes with absolutely no reflection. They were a mesmerizing void of light.
In fact, it was so rare to deal with a real person, and not an AI, that we engaged rapidly in a lovely and honest discussion with Meera. We were mostly talking about life on the Danaë. As she stated, the rules on board were very strict, even military. All was done to make sure that the customer had the most pleasant time at the expense of everything else. Finally, according to her, her condition wasn’t the most to be pitied in the cosmos. And she was fully satisfied with this precarious semi-nomadic existence.
“And what about you? Are you here on vacation or in transit for work?” she eventually asked. “What do you do for a living?”
Should we have told her that we were executing infamous people so Ali would collect expensive t-shirts and I could fulfill my nicotine addiction?
“Don’t get me wrong but I saw that you had a gun. Are you in the police… or are you pirates?”
It wasn’t the first time someone asked us this question. Although weapons were allowed on most ships and stations, it wasn’t wise to display them unless you were looking for trouble. Unfortunately, hiding such a large caliber under such a tight vest was a Herculean task.
“You can get much farther with a kind word and a gun than you can with a kind word alone”, simply quoted Ali, her forehead against the window covered with scented stickers.
Meera laughed before continuing:
“Very well, Al Capone. I understand that you’re not the type to let yourself be taken advantage of.”
The taxicab entered the central expressway after the water park then suddenly swerved violently to the left.
“What is going on?” I gasped.
After crushing the safety railing, we fell from one rotating bridge to the other in a frantic cavalcade. Judging by Meera’s swear words, this ride wasn’t part of the show.
Avoiding the stalls of an art market and a group of children coming out of an arcade, the driver finally managed to recover in extremis. It was about time, because within seconds we were passing through the transparent protective wall of the hotels’ deck.
“A thousand apologies! Another one of those mor… clients from the Middle System who doesn’t know how to use a rental car,” she shouted through the window. “Are you guys hurt?”
“No, thanks to you,” I replied, my tail spiked over my head, taped to Ali’s neck now decorated with bloody scratches.
Although my human forehead now had a bump on it the size of a golf ball, it was true that Meera had just saved our lives. This young girl had unsuspected driving talents despite taxicabs’ lack of handling. She didn’t belong here, playing the steward in a yellow circus uniform. This woman should have been a fighter pilot; or a NASCAR driver on Canyon Creek.
“In any case, here you’re almost in front of your hotel,” she replied. “You don’t have to pay anything, and I apologize again for the scare.”
From the outside, the taxicab now looked like a can of nutrigel after going through a crusher. Yet, it still worked. May God Darwin bless Venusian steel.
After thanking her, we wished Meera a good day. But the cockpit window suddenly went down on the passenger side. The smile of the driver had faded. She had tears at the corner of her white eyes.
“Wait!” she asked. “This weapon… do you really know how to use it?”
So, life on the Danaë wasn’t so sweet. As Meera explained to us in a secluded alleyway, a trio of criminals had come to threaten her a few days earlier, after finding she was a bodacious driver. They were preparing a heist in one of the flying city’s fifty casinos. The young woman was now ready to pay the price to settle the case.
“What is your opinion about this whole situation?” I asked Ali, once in our room, a small yet cozy suite whose glass walls overlooked the vacuum of space.
My human had applied a brownish ointment on her hump, which disappeared soon after, leaving only a slight pinkish hematoma.
“Meera said she would provide us with more details tomorrow. However, if she ponies up the cash, I don’t see why we would refuse. We ain’t mercs but these three guys must have a bounty on their heads. Let’s do our job, right?
“Indeed…”
All we had to do was wait for more instructions. Fortunately, it had been months since we had been able to take days off except on miserable gas stations full of drug addicts, implants scavengers and prostitutes.
After another morning of shopping, Ali went to the thalassotherapy center of the neighboring hotel. Her main occupation? Overeating sushi made by 3D nutrigel printing while getting massages.
Alas, I didn’t have the time to bask under the false sun of the lakeside resort and get my belly stroked. As a good captain, I had to go to the maintenance to fix the numerous damages of the Kitty. As always, the bill would be higher than expected.
Everything was orchestrated so that we would never hold a positive balance in this corrupted system. We had to chain contract after contract.
But Meera’s gig didn’t sound right. There was something I didn’t like and I couldn’t catch it yet. All my cat sensors were in the red. Unfortunately, the bounty hunter’s ones only saw the green of the bills.
Don’t judge me.
The young taxicab driver had finally contacted Ali again by holoconference in the early afternoon, shortly before I joined her at the exit of the tanning booths. Or as I called them: human toasters.
“Have you finished roasting like a Thanksgiving turkey?” I asked her as she plunged into the icy water of the adjacent basin, under the lustful gaze of a group of cadets from the Marine Academy.
“Meera will pick us up with a new taxicab in the hotel parking lot,” she whispered once back to me. “Alongside her, we will meet two of the criminals at the burglary location, shortly before midnight.”
“Go on.”
“We take care of these guys and we catch up with the last one: the band leader, in the storage cavities of the hangar reserved for the ship’s logistics. Below the last rotating ring.”
In Eve’s costume, Ali came out of the basin, not without deliberately drenching me. The water had a nasty chemical taste from being filtered day after day.
“Do you have any intelligence on these jokers?” I insisted while lighting a cigarette.
“The Broadway Gang. Three brothers. C$45,000 for the trio. We will also be able to recover at least C$10,000 of Techno-federal tax on their ship depending on its condition. Easy cash with the dollar credits that Meera promises us…”
Now sitting on the ledge, my partner splashed her feet to demonstrate her eagerness to head back swimming.
“Excellent! This will pay for the maintenance and allow us to save some money on our way to the belt.”
“Can I go now?” she asked, sliding back into the water.
“You may,” I had concluded before seeing her leave for her absurd wanderings that would fill her afternoon.
I myself was very busy making eyes at the wealthy guests of the hotel restaurant to glean a few pieces of Peking duck or juicy crabs. They were real farm animals from Mars. Not nutrigel. It was worth abandoning a little dignity aside.
With a full belly, I finally joined Ali in the middle of the evening. Arriving in the corridor of our suite, I crossed the group of cadets noticed near the swimming pool. They seemed tired but blissfully smiling as they just discovered the nirvana. And I knew why…
“Ali? Are you ready?” I said as I walked through the half-open bedroom door.
Her dressing gown had been thrown on the floor. Her gun and badge were resting on the bedside table against a giant bottle of Koala Springs soda and a pyramid of little Yoyo Mints.
To be honest, I expected a bigger mess.
“Gimme five minutes,” she replied while in the shower.
An hour later, we met Meera in the staff parking lot behind the recycling stations. Without further discussion, we joined the expressway in the taxicab. Between two noisy info-ads, the radio played Sweet Transvestite then the rest of the mythical Rocky Horror soundtrack.
“I wonder what Tim Curry’s up to these days,” asked Ali while browsing the intraweb on her implant.
“Being legendary as usual,” I answered.
Afterwards, the casino was in sight. But once on the forecourt illuminated by the gold and silver bulbs, we heard gunshots and screams. My partner and I quickly realized that this was a violent robbery rather than a modest heist.
“What the fuck, Meera?” Ali asked, turning to the porthole that separated us from the cockpit.
There was a hint of irritation in her voice.
Meera remained mute, her hands on the wheel and her gaze forward. In the rear-view mirror the young woman looked panicked.
The right door of the vehicle suddenly opened and two men sat down in front of us. They were wearing theater masks: the first was Melpomene, the sad grimace of tragedy; the second, Thalia, the twisted smile of comedy. Each brigand carried a huge metal block under his arm; drawers that were sure to be full of cash. On the other hand, they held their still smoking ZeG-4 machine guns even more firmly.
When they saw us, they both gasped, in unison:
“What the fuck, Meera?”
One… two. One… two.
Four holes in their faded tuxedo. Four bullets as big as a cat’s eye that silenced them forever, before slowly repainting the bench in red.
“What the fuck was that? You killed them!” Meera shouted this time, as she started the electric engine. “You had tasers at your disposal, you psychos!”
She had finally turned around. Her voice was quivering. She was no longer panicked, but angry.
The tasers must have slipped between the seats because I hadn’t seen them. My partner raised her eyebrows and it made me realize that their use had never been in mind.
“We’re bounty hunters, not 9 to 5 social workers!” continued Ali. “Now, you gotta motor, otherwise the cops will shoot our ass on the spot before we could even meet the third dude!”
Meera put her foot on the pedal and one could almost hear the noise of the thrusters melting the white asphalt.
“I can perceive the sirens, Ali,” I concluded before Meera entered the ring's external road reserved for logistic transport.
We then had the shortest car chase we had taken part in. The Danaë security forces may not have had the best elements in the system, but Meera’s talents didn’t give them a chance. We had crossed half a dozen rotative bridges to the rhythm of Take on Me, zigzagging between expressways and maintenance tunnels to arrive before the song ended at the deserted logistics hangar.
It was similar to a huge supermarket with honeycombed shelves. Each of these garages, dimly illuminated by red LEDs, housed a delivery or transport vessel. There was the most impressive fleet I had ever seen.
In one of the first level’s cells stood, between a set of clamps, a Swift-0 scout, from Peugeot Corp, with wings spread. The Swifts were small and very high-end single-seaters. They could be modified to integrate weapons systems, but their primary characteristics were velocity and evasion.
Leaning on the flank of the mono-turbine, the last of the three criminals, a tall blond man with a “Chevy Chase” prominent chin was looking down on the approaching taxicab.
“Were they planning to escape on that ship? The three of them?” I remarked when the vehicle stopped a few meters from the small vessel.
But Meera ignored me.
“Hand me the money, I’m going out. That was the agreement.”
The porthole opened at its base, allowing us to pass the steel cash drawers. Once the taxicab’s ignition was turned off, only their holographic numbers glowed in the dark.
“It’s all over if his cronies don’t stick their noses out of the car,” Ali replied, finally giving the second drawer away. “He’s going to figure out that it went south. He will kill you!”
Outside, the man was getting impatient. Blinded by the taxicab’s headlights, he came closer before exclaiming:
“Zéphyr, are you there? Where are my brothers? Security is closing all the departure modules. We will be stuck here, for fuck’s sake!”
He now had a gun in his hand. A machine gun identical to those of his companions currently bathed in their blood, nailed to the seats.
“Zéphyr? Wait… I know that name!” I meowed to myself.
The doors and portholes of the taxicab were locked. Ali and I were now stuck in the back with the two flatlined and most wanted criminals on the ship.
“Sorry guys, but I’ll handle the rest.”
Miss Meera, alias Zéphyr, smiled at us through the armored glass just before leaving the cockpit by the driver’s door.
“What a fucking piece of shit… Lee? Do you have a plan? I think the windows are bulletproof. I don’t feel like testing. Especially if it’s bouncing around with us inside, we will be turned into ground beef!”
“Did you forget who I am, my dear?”
I was already crawling under the seat, between a pair of Méduse shoes and half nibbled fried rat wings. It was time to demonstrate all my infiltration skills learned from Ninja Gaiden. Unfortunately, both the crab and the duck slowed me down and my belly remained for a few seconds stuck under the driver’s seat with my head on the brake pedal. How outrageous!
From the porthole, I saw Ali watching what was happening in front of us, near the ship. Our eyes met for a brief moment and I could read on her lips: “diet kibble”.
“Better off dead!” I shouted.
My paw reached the bottom of the dashboard, activating the mechanical opening of doors and windows. And, accidentally, the loudest horn in this dimension.
“My bad!”
My sapiens immediately jumped outside, pointing her gun to Zéphyr. Surprised by the thunderous din, her target pivoted towards us, uncovered, turning her back to the human with the magnificent chin and his ZeG-4 who yelled:
“What in the whole universe is that? Wait! I know her! Did you bring us bounty hunters? You were clearly planning to double-cross us!”
The man shouted and his gun produced a rain of bullets. It first hit the windshield of the taxicab, passing through the conductor compartment where I was. The rounds bent the windscreen, but it held. This wasn’t, however, the case for the hood, protecting the engine and the reservoir full of coolant, which ended up covering the seat and my face.
Fortunately, the sticky alcohol allowed me to escape from this trap and jump out of the vehicle through the window I had previously opened. But, once again, a fire ring enveloped the ZeG-4’s cannon.
“This is how I die…” I meowed, eyes closed.
I was violently tackled and hit the ground. Zéphyr had saved me at the last moment, just before bullets obliterated the front of the taxicab.
Other projectiles ricocheted off the metal money drawers on the floor and got lost in the ceiling, activating the fire sprinklers. This incident triggered a silent light alarm throughout the hangar while the mobster prepared a new salvo.
“Don’t hurt my pilot, you narbo!” roared my partner.
Ali, this time taken as a target, retaliated. She fired a single shot towards the rascal with a formidable precision. No one knew how to handle such a heavy gun as she did. She was my human. She was the best in her field: murder.
And I taught her everything. Almost.
The leader of the robbers tried to reload the magazine of his weapon, unaware that his heart had been punctured a few seconds before. Adrenaline was doing its job. But the blood loss caused by the explosion of the aorta at its base, near the ventricles, gradually stopped him in his gesture. His pressure dropped and the bloodstream no longer reached the brain sufficiently. He was already in a coma when his shoulders touched the ground. He was luckier than the average Joe and died a few seconds later.
“Is everything all right?”
My voice was trembling, still in shock from this disaster. I was wet and frozen.
Zéphyr got up with difficulty. Next to us, one of the metal drawers was opened, revealing a bunch of green bills and a much stranger booty: an eight-inch gold diskette with suspicious Chinese symbols.
Well… I couldn’t read them but Chinese symbols on stuff are always suspect, aren’t they?
But there were more important matters. Because my partner, on the other hand, stayed on the ground. Blood was dripping from her black suit and mixed with the clear firefighting fluid that was falling like an endless rain.
I tried to talk to her again but my voice was lost in a groan.
“Why are you whining, you big baby? It’s just blood.”
With her nose in a puddle, my sapiens smiled at me. Her left hand was compressing her abdomen. The bullet had passed through the external oblique muscle, far from the stomach.
It wasn’t that bad after all but she had scared me. And that deserved a scratch on the wrist that made her scream:
“What the fuck?”
“And the medical expenses? Have you thought about medical expenses? We don’t have insurance!”
“God, Uncle Scrooge! I hate you!”
“We won’t be able to fix the Kitty with your heroic outbursts!” I fulminated to mask my joy of seeing her in one piece.
“I will kill you, Muppet! I almost died! I don’t give a fuck about your rusty trash can which flies like a brick!”
It was true that we hadn’t had a fight for a long time.
“Guys…” intervened Zéphyr.
“What?”
Ali and I had spoken together.
“These three ruffians had planned to steal the diskette drive from me once I got back. I needed a hand, so… thank you… I guess.”
“You’re welcome,” my human answered dryly while sitting.
Although Zéphyr saved me, I didn’t share the same kindness:
“Wait, we’re not letting him go! Do you know who he is?”
Zéphyr. Prince of thieves. And yes, he wasn’t much of a princess either. Just an androgynous cyborg. A breakout king wanted throughout the entire system for his affiliation with the Data Brokers’ Guild. With an incredible bounty of C$800,000, she or he… whatever… was the knight of the brokers’ chessboard.
“I think we’ve had enough for today,” Ali said. “Unless you hope to go after him with these big fat guts of yours.”
“By the 79 moons of Jupiter, you shall pay for this, woman!” I meowed, angry.
My ears were backwards and my hairs were spiky. But soaking wet, it just made Ali and Zéphyr laugh.
Disgrace!
“He’s so cute when he’s furious,” he joked.
Now on his knees, the night-skinned androgynous was blotting Ali’s wound with a torn piece of fabric from his driver’s uniform.
“But more seriously, I need to go. With the bounty, you’ll be able to repair your vessel. As for the hospital fees, I will contact a good friend who will take care of you for free. She’s the ship’s chief medical officer.”
“Thank you,” I simply replied as he helped my partner get back on her feet.
“It’s the least I can do. I wasn’t interested in money. More important information is contained in this,” he said as he was picking up the floppy disk.
This golden diskette must have been worth a lot of cash for Zéphyr to play a taxicab driver to ensure coverage. I had perceived that something was fishy!
Then, halfway to his Swift-0, Zéphyr stopped. I witnessed his hesitation.
“There was nothing personal, you know. We’re all just trying to make our way. The best we can…”
And he ultimately left before adding:
“Maybe we’ll see each other again! You seem like fun.”
Before fleeing away, Zéphyr abandoned one of the boxes near the criminal’s corpse. Thus, he validated the theory of a robbery that had gone wrong. When the security arrived a few minutes later, we were the heroes of the day. And with a little bribe, nobody cared about Zéphyr’s missing ship.
This whole story surely left us a bitter taste. A feeling of defeat and humiliation that the swimming pool under the synthetic sun couldn’t make disappear even a week after.
“He undoubtedly played us as we were rookies, with his little face of a young innocent girl in distress,” I said to Ali right after the end of the daily Brett Maverick.
This old show was dispensed on a couple of giant screens suspended by drones.
Until now, Ali had remained silent on her deckchair; with a brick of sour juice stuck between her breasts and a pair of straws between her teeth. Only inaudible grunts emanated from her mouth since the departure of the sexually unclassifiable mugger.
“I wonder what information this fucking cyber-Tootsie could have been looking for in that casino,” my human mumbled as she squeaked her rainbow flip-flops.
“Admit that it’s not really that question that puts you in such a state…” I answered, now well installed on my motorized buoy that I had gotten as a gift in a diet kibbles package.
“You bet! I will have a nasty tan mark on my stomach with these bandages!” she exploded, spitting out her plastic straws with infinite curls.
My float slipped towards the ledge as a robot came to bring us our next glucose overdose.
Ali finally added:
“I swear that if we run into him again, I’ll smack his fucking angel face.”
Back to business!
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A not-so-brief rundown of letters J-L of Jeffrey Epstein's 'Little Black Book'

Below is a rundown of letters J-L of Epstein's contacts. Last year, I wrote about letters A-C. You can check that out here (https://www.reddit.com/conspiracy/comments/cpis3n/a_brief_rundown_of_the_first_ten_pages_of_jeffrey/).
I also wrote about letters D-F on July 5, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/hlrba8/a_notsobrief_rundown_of_letters_df_in_jeffrey/).
I posted letters G-I on July 13, 2020. You can check that out here (https://www.reddit.com/conspiracy/comments/hqko0y/a_notsobrief_rundown_of_letters_gi_in_jeffrey/). There are some misspelled names. Epstein entered their names like this.
I have bolded some of the more interesting connections and information, but there could be much more that I overlooked. I hope something here strikes an interest in someone and maybe we can get more investigations out of this. Please, if you know anything more about any of these people than what is presented here, post below. I am working off of the unredacted black book found here: https://www.coreysdigs.com/wp-content/uploads/2019/07/Jeffrey-Epsteins-Little-Black-Book-unredacted.pdf
J-L
Jackson, Michael (Samuel Gen): Yes, this is a reference to MJ the singer. However, the numbers listed are not MJ’s. They belong to Samuel Gen, a lawyer for a financial advisor (Jerry Seinfeld’s brother-in-law) who worked for MJ for a while. This one was a reach for Epstein.
Jacobson, Julian: Likely a reference to a Managing Director at several London-based investment firms.
Jagger, Mick: World-famous lead singer of the Rolling Stones. Has been seen in photographs with Ghislaine Maxwell. Actress Rae Dawn Chong claims she slept with Jagger when she was 15 years old.
Jagger, Hatti: Former fashion director for Vogue, Harper’s, and Tatler. Also works as a celebrity stylist and at fashion shows.
jake: Not enough info.
Jameel, Mohammed: Saudi Arabian businessman. CEO of Abdul Latif Jameel, a collective of family-owned businesses that specialize in transportation, investing, and real estate. Royal pervert Prince Andrew infamously partied on Jameel’s yacht during the 2011 London riots (source: https://www.mirror.co.uk/news/uk-news/prince-andrew-frolicks-on-yacht-with-mystery-147496).
James, Susie: Founder and owner of 123 Send Ltd, a company that provides payment terminals.
Janklow, Linda: Literary agent and wife of Mort Janklow, the primary owner of Janklow & Nesbit Associates, the largest literary agency in the world. Attended a party hosted by Sony Pictures with Epstein, although they are not pictured together (source: https://www.patrickmcmullan.com/search/?event=5b3ef4fb9f92906676446c21). In 2007, Ghislaine Maxwell threw an exclusive party (80 carefully selected guests) at her NYC townhouse to celebrate the opening of a new shop by designer Allegra Hicks (granddaughter-in-law of Earl Mountbatten, who you can read more about in my G-I Epstein thread under India Hicks’s name). One of the eighty guests was Julie Landlow, daughter of Linda and Mort.
Jarecki, Nancy & Andrew: Andrew is a filmmaker, co-founder of Moviefone, and was a producer on Catfish, the documentary that launched the popular MTV show. Andrew’s family was reportedly friends with Jeffrey Epstein. There is an EXCELLENT thread on the connections between the Jarecki family (especially Andrew and Nick’s father, Henry) and Epstein here (source: https://threadreaderapp.com/thread/1200044576947556352.html). Quick summary: Henry was born in Nazi Germany; flew on the Lolita Express; is an expert in psychotropic drugs; owns two islands in the British Virgin Islands; founded the first youth center in the British Virgin Islands; lived 2 miles from Epstein in NYC; owns and donates to many sketchy foundations, schools, and organizations; has donated at least $1 million to leftist organizations). Andrew’s wife Nancy created bettybeauty, a company that specializes in hair dye for your nether regions (not kidding).
Jarecki, Nick: The movie director brother of Andrew and son of Henry Jarecki (see link under Andrew & Nancy Jarecki for more info). Reportedly dated Courtney Love (also in Epstein’s ‘Black Book’) in 2015. Photographed with Ghislaine Maxwell at a Gucci party (source: https://www.gettyimages.com/detail/news-photo/ghislaine-maxwell-and-nick-jarecki-attend-gucci-hosts-a-news-photo/591605562).
Jason (canada): Not enough info. Could be artist Jason Wasserman based out of Canada. The second number listed traces back to Station 16 Gallery in Montreal.
Javier: Javier Banon is former Co-head of Merchant Banking at Lehman Brothers and current Founding Partner of Trilantic Europe.
Jeffries, Tim: Ownedirector of Hamiltons Gallery in London. Best known for dating models Elle Macpherson, Claudia Schiffer, Kylie Minogue and Sophie Dahl (also in Epstein’s ‘Black Book’). Jefferies has attended fundraisers for ARK Academy and the NSPCC. He truly cares about children.
Johnson, Richard & Nadine: Nadine is a millionaire public relations guru. Nadine is a good friend of Ghislaine Maxwell’s. Some clients of Nadine Johnson include spirit cooking extraordinaire Marina Abramovic and hotelier Andre Balazs, good friend of Ghislaine. Richard is one of the most well-known gossip columnists and was the editor of Page Six for twenty-five years. There is a great thread detailing the Johnsons’ ties to the Clintons, Balazs, and others here (source: https://threader.app/thread/1162148078981394432). Basically, Richard Johnson is friendly with the Clintons and, as Page Six Editor, purposely did not report or downplayed stories on the Clintons and Nadine’s clients. He also took bribes. Considering Nadine is a good friend of Ghislaine, it would not be a stretch to assume that Richard could have buried stories on Maxwell and Epstein. I could spend 10 pages on the shady connections these two have.
Johnson, Lucy: Not enough info.
Jones, Ann & Mick: Mick is the guitarist of Foreigner, an immensely popular rock band in the ‘70s and ‘80s. His wife, Ann, is a jewelry designer, and friend of Ghislaine. Ann Jones was photographed at a party with Ghislaine and Donald Trump in 1997 (source: https://www.the-sun.com/news/85818/epstein-madam-ghislaine-maxwell-milked-billionaire-dad-and-threw-lavish-parties-with-beautiful-women/)
Josephson, Barry & Jackie: Barry is a producer and the former President of Production for Columbia Pictures. Jackie is his ex-wife and also a producer.
Karella, Kalliope: Wife of Prince Pierre d’Arenberg. Kalliope is a good friend of Ghislaine Maxwell.
Kastner, Ron: No info found.
Katz, Anton & Robin Plant: Anton is CEO and co-founder of Talos Trading, which specializes in cryptocurrency. Anton and Robin are friends of and have been photographed with Ghislaine (source: https://www.patrickmcmullan.com/search/?person=5b3ef50c9f929066764df255).
Katzeneilenbogen, Mark: Long-time investment banker who used to be based out of South Africa.
Keeling, Sarah: There is a Sarah Keeling in London who is a former British government official with 20 years of experience in national security and intelligence experience, however, the phone number listed has a 410 area code, which leads back to eastern Maryland. Inconclusive.
Kegan, Rory: A nightclub designer and creator. Co-founder of the exclusive, celebrity-filled London nightclub, Chinawhite. Prince Andrew (source: https://www.thesun.co.uk/news/9818190/prince-andrew-pictures-cast-doubt-epstein-sex-slave/) and Prince Albert of Monaco are regulars. Chelsea Clinton has been there, as well (source: https://www.standard.co.uk/news/bright-night-for-china-white-6299739.html). Other patrons include: Prince Andrew, Kate Middleton, George Clooney, Leonardo DiCaprio, and more.
Keidan, Amanda: Owner of Keidan Jewelry.
Keidan, Jon: An entertainment executive-turned-venture capitalist. As an entertainment exec, Keidan worked with John Legend, Dave Matthews Band, and Nappy Roots. Keidan serves on the Council of Foreign Relations, a powerful group that some believe determines foreign policy. Former and current members include former presidents, current and former politicians, business magnates, and celebrities (https://www.cfr.org/membership/roster).
Keller, Georgie: Interior designer.
Kellette Frayse, Caroline: Fashion editor at Vogue and Tatler (both magazines constantly come up in Epstein’s contacts). Former girlfriend of Imran Khan, whose name has come up frequently. Passed away in 2014. Her husband, Jean-Marc Fraysse, is a French investment banker.
Kelmenson, Leo-Arthur & Gayl: Leo was an advertising and marketing guru who has been credited with saving Chrysler. Friend and advisor to Lee Iacocca, former President of Chrysler. He worked as Special Project Officer for the U.S. Department of State under President John F. Kennedy and AG Robert F. Kennedy. He had tons of connections. His former maid accused him of sexual harassment in 2010 (source: https://www.nydailynews.com/new-york/maid-harassment-suit-claims-ad-exec-leo-arthur-kelmenson-madman-pervy-mad-men-wannabe-article-1.156915). Kelmenson died less than two months after the story came out.
Kennedy Cuomo, Andrew & Kerry: Andrew is the current governor of New York. It’s no secret that Cuomo is willing to look the other way on sexual deviancy as long as he receives a payoff. Cuomo halted a probe into the handling of Harvey Weinstein’s case in New York after receiving $25,000 from Weinstein’s law firm (source: https://www.vice.com/en_us/article/bjbqg4/andrew-cuomo-received-dollar25000-donation-from-harvey-weinsteins-law-firm). Andrew’s brother, CNN Host Chris Cuomo famously told viewers “not to get caught up in the intrigue of who Epstein’s friends are” (source: https://www.realclearpolitics.com/video/2019/07/11/cnn_cuomo_lets_not_get_caught_up_in_the_intrigue_of_who_was_friends_with_jeffrey_epstein.html). Perhaps, he was covering for his brother. Kerry Kennedy is Cuomo’s ex-wife of fifteen years, the daughter of RFK, and a close friend of Ghislaine Maxwell. Supposedly, Kennedy provided Ghislaine with informal illegal advice (source: https://www.splicetoday.com/politics-and-media/the-nth-word-and-m-theory).
Kennedy Jr. Ted: Son of Ted Kennedy and nephew of JFK and RFK. Ted Jr. dabbled in politics and currently works as a lawyer. His father, Ted, was a notorious sexual abuser (allegedly).
Kennedy, Bobby & Mary: Bobby is the son of RFK and nephew of JFK. Bobby is a known drug abuser and philanderer. Bobby kept a sex journal detailing his conquests while he was married (source: https://nypost.com/2013/09/08/rfk-jr-s-sex-diary-of-adultery/). His ex-wife, Mary, committed “suicide” two years after their divorce. Before committing suicide, Mary told a friend that she “feared for her life” and Bobby told her that she “would be better off dead” (source: https://www.dailymail.co.uk/news/article-3231043/How-serial-cheater-Bobby-Kennedy-Jr-strutted-family-home-exposing-private-parts-demanded-m-nage-trois-wife-Mary-went-public-Cheryl-Hines-telling-Mary-things-easier-killed-herself.html).
Kennedy, Ethel: Widow of RFK Sr. and mother of eleven, including Bobby Kennedy, Kerry Kennedy, and Joseph Kennedy II.
Kennedy, Jo: Joseph Kennedy II is the son of RFK Sr. and Ethel. Served in the House of Representatives from 1987-1999. In 1973, Joseph was convicted of negligent driving after paralyzing a young woman. He was fined $100.
Kennedy, Senator Edward: Brother of JFK and RFK, Ted Kennedy served as U.S. Senator of Massachusetts for 47 years. Besides politics, Ted is best known for the Chappaquiddick incident in which a young female speechwriter for RFK drowned to death when he lost control of his vehicle while driving across a bridge. He was charged with leaving the scene of an incident and given a two month suspended sentence. Ted was also notorious for his extramarital affairs. Senator Kennedy once hosted a party at his house attended by Bill Clinton and Lynn Forester de Rothschild. Rothschild wrote a letter to Clinton afterwards in which she mentions that they spoke about Epstein (source: https://www.dailymail.co.uk/news/article-7283825/Jeffrey-Epstein-injured-jail-cell-following-possible-suicide-assault.html). It is unclear what was said or what Rothschild’s connection could possibly be.
Kersner, Sol: South African accountant and hotel and casino magnate who died of cancer in 2020. Kerzner was a close friend of Donald Trump. They even worked together to create The Palm, a man-made island off the coast of Dubai (source: https://www.ft.com/content/46393280-d9f9-11da-b7de-0000779e2340). Kerzner was also close friends with Sarah Ferguson, Duchess of York (https://www.gettyimages.com/detail/news-photo/sarah-ferguson-the-duchess-of-york-sol-kerzner-chairman-and-news-photo/83768272), Naomi Campbell (https://www.gettyimages.ca/detail/news-photo/naomi-campbell-and-sol-kerzner-pose-backstage-during-the-news-photo/82869744), and Bill Clinton (https://www.dailymail.co.uk/news/article-8144647/As-Sol-Kerzner-dies-aged-84-RICHARD-KAY-looks-riotously-louche-life.html). Kerzner was very good friends with Nelson Mandela and built his casino resorts with Gerard Inzerillo, who you can read about in my G-I ‘Black Book’ thread.
Khayat, Antoine, Jana, & George: Jana is an heiress and businesswoman. Jana is the niece of Galen Weston, a close friend of Prince Charles. George is her brother and CEO of Associated British Foods. Jana’s husband, Antoine, is a former banker and currently runs their vineyard.
Kidd, Jemma: Kidd is a British makeup artist, fashion model, and aristocrat. Married to Arthur Wellesley, Earl of Mornington, the son of the Duke and Duchess of Wellington, making her a Countess. Kidd is an interesting figure with elite connections. From 2005-2012, Ghislaine Maxwell served as Director of Jemma Kidd Make-Up Limited, a U.K. makeup company, which was founded by Kidd. Not only did Ghislaine serve as Director, but she was also a shareholder, along with the Rothschild family (source: https://nationalpost.com/news/world/in-hiding-for-years-epstein-accomplice-ghislaine-maxwell-spotted-in-l-a-burger-shop). If you click around the PDFs on this website (https://beta.companieshouse.gov.uk/company/05340072/filing-history), you can see everything. The 16 JUN 2006 PDF on page 3 shows you a list of Officers and shareholders of the company. Jemma Kidd has also attended charity events for the National Society for the Prevention of Cruelty to Children (NSPCC) (https://www.alamy.com/stock-photo-beckham-nspcc-party-jemma-kidd-106882170.html). Her sister, Jodie, is also a huge supportefundraiser of the NSPCC, as well as the Help a London Child and Monsoon Accessorize Trust charities, both of which help out disadvantaged children (source: https://www.looktothestars.org/celebrity/jodie-kidd).
King, Abby: No info found.
Kirwin Taylor, Charlie & Helen: Charles is an investment banker. He was former CEO of Credit Suisse in Switzerland, an investment firm which shows up a few times through Epstein’s contacts. His wife, Helen, is a journalist.
Kirwin Taylor, Peter: British financier. Was a member of the Pilgrims Society (https://isgp-studies.com/pilgrims-society-membership-list), a group that has included the Rothschilds, Rockefellers, and other elites amongst its ranks.
Kissinger, Dr. Henry A: Former U.S. Secretary of State and National Security Advisor under Nixon. Kissinger has long been accused of committing war crimes (ex: carpet bombing Cambodia, installing fascist governments in Chile and Argentina, genocide, extending our stay in Vietnam, etc) yet somehow managed to win a Nobel Peace Prize in 1973. Kissinger once said, “Military men are dumb, stupid animals to be used as pawns for foreign policy.” Kissinger served with Epstein on the Trilateral Commission. Kissinger has also been a member of the Bilderberg Group, the Council on Foreign Relations, the Aspen Institute, and Bohemian Grove. Long thought to be an advocate for a globalist New World Order, Kissinger is a scumbag of the highest order. His connections with Gates, the Clintons, Bush Sr. and Jr., the Rockefellers, and the Rothschilds are well-documented. If anyone here has ever done any research regarding the NWO, you have undoubtedly seen Kissinger’s name several times.
Klee, Rupert & Charlotte de: Rupert is a Director with Oakridge Group, a property development and investment company. His wife, Charlotte, is the producer of the religious plays at Wintershall.
Klesch, Johnathan: Former Director of Klesch Trading, which specializes in industrial commodities. It has offices in Russia, Malta, Surrey, and in London, down the block from Buckingham Palace.
Koch, David: Co-founder of Koch Industries, a diversified manufacturing conglomerate. Koch Industries has stolen oil from Indian reservations, committed hundreds of polluting, labor, and workplace safety violations. When he ran on the Libertarian ticket as the vice presidential nominee in 1980, Koch aimed to abolish Social Security, Medicare, Medicaid, welfare benefits, and minimum wage. Koch and Epstein were friends. Epstein even attended a party at Koch’s Southampton home (https://www.dailymail.co.uk/news/article-7270735/Jeffrey-Epstein-Trumps-closest-advisers-Wilbur-Ross-Rudy-Giuliani-Steve-Mnunchin.html). Koch has also been photographed with Ghislaine Maxwell (https://www.reddit.com/KochWatch/comments/dcjth3/david_koch_ghislaine_maxwell_getty_images/). Thankfully, Koch died last year.
Kohl, Astrid: A businesswoman involved in pharmaceuticals. Married to Prince Alexander of Liechtenstein. Daughter-in-law of Prince Philipp of Liechtenstein. Niece of former German Chancellor, Helmut Kohl.
Kotic, Boby: CEO of Activision Blizzard, a video game holding company. Used to run several electronic companies. From 2003-2008, he was a director at Yahoo! In 2012, he became a non-executive director of Coca-Cola.
Kotze, Alex Von: British businessman involved in the tech industry.
Kravetz, Anna: Not much info found. Has a degree in finance from Wharton School and used to live on Park Avenue in NYC.
Krooth, Caryn: A successful real estate agent based out of Los Angeles
Kudrow, Alistar: No info found.
Lal, Dalamal: Director of Akron Corp. & Akron (Nig.) Ltd., a food and beverage import company based out of Nigeria.
Lalaunis, Demetra: Daughter of Ilias Lalaounis, a pioneer in Greek jewelry and a world renowned goldsmith.
Lambert, Christopher: Well-known actor.
Lambert, David: Former partner, managing director, and VP at Goldman Sachs.
Lambert, Edward: Lampert is a billionaire hedge fund manager and former CEO of Sears. Lampert graduated from Yale University in 1984 where he was a member of Skull and Bones. Rumored pedophile David Geffen gave Lampert $200 million to invest in 1992, when Lampert was just 29 years old. Lampert made Geffen $1 billion.
Lambos Duff & John: Karen “Duff” Duffy is an actress, model, and TV personality. She has had memorable roles as the love interest in “Blank Check” and as JP Shay in “Dumb and Dumber.” Duffy has battled with sarcoidosis, a deadly central nervous system disease, since the mid-’90s. She credits Harvey Weinstein with saving her life (https://nypost.com/2000/10/03/coping-with-class-this-model-patient-suffers-in-style/). John is a former banker with Morgan Stanley and current President of GCA-US, an investment banking company.
Lang, Caroline: An art expert and Chairman at Sotheby’s Switzerland.
Lange, Dieter: Former Partner at WilliamHare, an international law firm with offices in London, Berlin, the U.S., Beijing, and Brussels. Passed away in 2010.
Larsen Janet: The only one I can find is a Business Psychologist based out of London.
Laurie, Jonathan: Founder and CEO of Cheyne Capital Management, an alternate investment fund firm.
Lavlada, Laura D.B. de: Laura Diez Barroso is a Mexican businesswoman. She sold her stock in Televisa for $726 million in 1993. Since then, she has been the head of several other companies.
Lawford Christopher & Jean: Christopher was an actor and relative of the Kennedys. His uncles were JFK, RFK, and Ted Kennedy. Many of his relatives appear in Epstein’s ‘Black Book’. His first wife, Jeannie, was an ad-sales associate for New York Magazine.
Lawton Paul: Two British businessmen with the same name come up. Both have extensive resumes. Could be either one.
Lazar, Christopher & Marie: Christophe seems to be a realtor in Paris, but I am not completely sure.
Le Bon, Simon & Jasmine: Simon is the lead singer of Duran Duran. His wife, Yasmin, is/was a fashion model. Yasmin is represented by Models1 in London. Models1 also represents Epstein and Ghislaine’s friend, Naomi Campbell. Le Bon has been accused of sexual assault in the past (https://www.freep.com/story/news/2018/07/12/simon-le-bons-accuser-sex-assault-claim-speaks-out-awful/777106002/).
Le Fur, Jean-Yves: French businessman and magazine creator. He was once Princess Stephanie of Monaco’s ex-fiance. More notably, Le Fur was the one who discovered supermodel Karen Mulder (his girlfriend at the time) on the floor after she attempted suciide. Mulder blew the lid off the rampant rape and sexual abuse that she and her modeling colleagues had suffered at the hands of businessmen, royalty, celebrities, and government officials. She was even the protege of Epstein collaborator (allegedly), Jean Luc Brunel (https://www.miamiherald.com/news/local/article238351108.html).
Le Marg Willie: No info found.
Lea, Piers: CEO of Learning Technologies Group, a workplace digital learning company.
Leeds, Jeffrey: Co-founder and Managing Partner of Leeds Equity. One of Leeds Equity’s partner companies is Endeavor Schools, which runs private preschools, primary schools, and secondary schools in Florida and 11 other states (https://www.leedsequity.com/news/articles/leeds-equity-partners-completes-investment-in-endeavor-schools). They are also partners with Fusion Educational Group (now Fusion Academy), which runs a chain of private secondary schools (https://www.leedsequity.com/news/articles/leeds-equity-partners-completes-investment-in-fusion-education-group). Former teacher Kris White, now the head of Fusion Academy in Palo Alto, allegedly told a student that he was in love with her and wrote her a note saying he was “obsessed” with her. (https://www.mercurynews.com/2020/07/12/teachers-named-in-presentation-high-sex-investigation-kept-working-as-bay-area-educators-for-years/). This story was just published on July 12, 2020. Hypothetically, if one wanted to procure underage children, it would certainly help if the head of the school was on board and possibly a pedophile himself. According to this former teacher at Fusion Academy, “many students struggle with learning differences, behavioral issues, and/or addictions” (https://www.glassdoor.com/Reviews/Employee-Review-Fusion-Academy-RVW21260629.htm). In other words, the downtrodden and vulnerable. Fusion Academy refers to itself as a non-traditional school that focuses on individual students. Seems like a great opportunity. Leeds was also good friends with Epstein (https://nymag.com/nymetro/news/people/n_7912/) and has close ties to Colin Powell and Rudy Giuliani (https://nypost.com/2016/09/14/colin-powell-wont-vote-for-her-because-of-bill-clinton/).
Lefcourt, Jerry: Famous lawyer who defended Epstein in 2007. That same year, Epstein donated $250,000 to the Washington-based Foundation for Criminal Justice, where Lefcourt was a board member.
Lester, Dominick: Founder and owner of MortgageFlex Systems, a mortgage lending company.
Levine, Phillip: Ex-Miami Beach mayor and close friend of Bill and Hillary Clinton. He claims that he doesn’t know how Epstein got his contact information… all 13 phone numbers, including those of his driver and housekeepers (https://www.miaminewtimes.com/news/ex-miami-beach-mayor-philip-levine-listed-13-times-in-jeffrey-epsteins-black-book-11242116)!
Liman, Doug: Popular Hollywood director and producer. He directed Swingers, The Bourne Identity, and a couple of Tom Cruise movies.
Lindeman-Barnet, Sloan & Roger: Sloan has been a New York Times bestseller and an on-air and print reporter for NBC, ABC, and Reuters. Sloan and Roger also sit on the board of the Spence School in New York City, a private K-12 all-girls school (https://www.spenceschool.org/2017---news-detail?pk=999120). Her husband, Roger, is the founder of beauty.com and Chairman and CEO of Shaklee, a highly successful nutrition company. Donald Trump, Melania Trump, and Ghislaine Maxwell all attended the publication party for Sloan’s book in 2008 (https://www.gettyimages.com/detail/news-photo/ghislaine-maxwell-anton-katz-and-robin-katz-attend-sloan-news-photo/619921016 ; https://www.gettyimages.co.uk/detail/news-photo/donald-trump-melania-trump-sloan-barnett-and-roger-barnett-news-photo/619921180).Other guests included Steve Mnuchin, Epstein and Maxwell chum Carol Mack, and a bunch of others also featured in Epstein’s ‘Black Book’ (Colin Cowie, Anton and Robin Katz, and Vittorio Assaf).
Lindemann, Adam & Elizabeth: Adam is a billionaire investor and art gallery owner. Brother of Sloan (mentioned just above). Elizabeth is his ex-wife. She is often photographed with many other people mentioned in Epstein’s ‘Black Book.’
Lindemann, George(Sr.) & Freida: Now-deceased billionaire father of Sloan and Adam. George was the CEO and Chairman of Southern Union, a pipeline company and served as Vice President of the Metropolitan Opera Association of NYC. His wife, Frayda, is the President and CEO of the Metropolitan Opera.
Lindsay, Alex & Jaclyn: Alex is a war documentary maker who rents out his loft at the address Epstein has listed (https://www.independent.co.uk/property/house-and-home/property/spheres-of-influence-72014.html).
Lindsey, Ludovic: Racecar driver.
Lindsley, Blake: Actress who was in two movies directed by Doug Liman (also in Epstein’s book) - “Swingers” and “Getting In.”
Linley, David: Princess Margaret’s son, Queen Elizabeth II’s nephew, and first cousin of Prince Charles and Prince Andrew. Linley is a furniture maker and the 2nd Earl of Snowdon. He used to be the Chairman of Christie’s auction house in the UK.
Liogos, Babis: No info found, but one of the numbers traces back to Thylan Associates, a real estate and investment firm.
Lister, Paul: Likely the director of legal services and company secretary for Associated British Foods, or it could be a conservationist. Not sure which.
Livanos, Arriette: I believe this Arietta Livanos, wife of Greek shipping magnate, Stavros Livanos. Arietta passed away in 1986.
Lo Cascio, Robert: Founder and CEO of LivePerson, a tech company that develops conversational commerce. LoCascio was photographed with Ghislaine at an after party in 2012 (https://www.gettyimages.com/detail/news-photo/ghislaine-maxwell-and-robert-locascio-attend-osklen-spring-news-photo/1169681572).
Loeb, Alex: Alexandra is the daughter of John Loeb, former U.S. Ambassador to Denmark under Reagan and former Delegate to the United Nations. John Loeb was also a special advisor to Nelson Rockefeller. Alexandra is also a descendant of the Lehman family (Lehman Brothers). Alexandra graduated from Spence Day School for Girls (mentioned earlier under Sloan and Roger Lindemann-Barnett).
Lonsdale, Richard: British investment banker.
Lorenzoti, Eva Vivre: Founder of luxury online retailer, Vivre.com and is a TV spokesperson/personality. Good friend of Ghislaine Maxwell. Maxwell and a couple of Rockefellers were guests at her house for a dinner party in 2010 (https://hauteliving.com/2010/11/doris-world-eva-lorenzottis-dinner-party/105102/).
Lorimer, John & Lottie: John works as a private investor and as a realtor. His wife, Lottie, is an interior designer.
Louthan Guy J: Prolific British film producer and former boyfriend of actress Liz Hurley (also in Epstein’s book).
Love, Courtney: Famous drug addict, musician, and actress who likely killed her husband, Kurt Cobain. Courtney famously claimed that Prince Andrew showed up to her house late one night in 2000 looking for sex. She has since retracted this claim. The entries under Love’s name all say ‘Dana’ next to them. This is Courtney’s ex-boyfriend, Dana Giacchetto. Giacchetto was considered to be the “stockbroker to the stars” and was friends with JFK Jr, Leonardo DiCaprio, Johnny Depp, and many others. He ripped his clients off of millions. Even more telling, Giacchetto was involved in a sex abuse case against X-Men director Bryan Singer (https://www.yahoo.com/entertainment/news/leonardo-dicaprios-convicted-ex-money-manager-denies-bryan-050000120.html). He died in 2016 after he partied too hard and overdosed (https://www.hollywoodreporter.com/news/dana-giacchetto-dead-stockbroker-stars-902383).
Lowell, Ivana: Guinness heiress who wrote about Harvey Weinstein’s sexual abuse while she worked at Miramax in her book back in 2010 (https://www.irishcentral.com/culture/entertainment/guinness-heiress-spoke-out-about-predator-harvey-weinstein-7-years-ago). She also dated Harvey’s younger brother, Bob.
Loyd Mark: No info found.
Lucas, Colin: The godfather of Boris Johnson, England’s current Prime Minister. Lucas is a British historian and university administrator. Served as Vice Chancellor of Oxford University from 1997-2004.
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Red v. Blue: Color Symbolism & Americana in Twin Peaks

Note: I'm writing this as someone who has watched the entire original series, Fire Walk With Me, The Missing Pieces, and The Return, as well as other features from Lynch's filmography (Lost Highway, Mulholland Drive, Elephant Man, Blue Velvet, Eraserhead); marked for spoilers now, do not proceed if you haven't seen them all. This is a longpost for Twin Peaks-obsessed nuts like me.
One of the things that remains a statement of the original incarnation (and thus, a statement by being substituted with HD digital cameras in The Return) is Twin Peaks's absolute mastery of the highly saturated 4:3 box TV aesthetic. I've heard Lynch was adamant the color palette not be corrected to a grittier, desaturated version when execs received the tapes. It's part of what's made so many iconic sequences and shots from the original run hallmarks of Tumblr and Instagram accounts aplenty. Twin Peaks came (and could be argued, ushered) on the precipice of a major shift in the television format. We would see the contemporary form of television media developed further with shows like The Sopranos in the HBO prime cable era, or The X-Files (no wonder Chris Carter plundered Twin Peaks's cast for his own attempt). As a marker for the end of the 80s and its preceding decades though, in many ways Twin Peaks to spoke to a form of TV largely since faded: soap operas and sitcoms and serials. It's part of why I loved the metatextual inclusion of the soap opera Invitation to Love, allowing the show to reference its own stylized dramaturgy.

Jade & Emerald... Jade give two rides, hm?
Very specifically, I find the series loves to riddle blue and red, like one oni to another. Fire and water. Hot-cold (like the shivery feeling Audrey gets when she holds an ice cube on her bare skin for a long time). The red and blue on Mike's TP varsity letterman jacket could be the most striking and concise marriage of this dynamic pairing. Donna & Maddie dive into this in the season 2 opener, scheming at the Double R (docked points for the silly jailhouse seduction routine by Donna, though). Subtler in palette but more obvious in Americana, Major Briggs's omnipresent blue uniform incorporates red in his breast patch (and Don S. Davis's ruddy-warm complexion, imo) speaking to his inherent patriotism as part of the Air Force. On more than one occasion Big Ed is spotted with a red & blue flannel.
Much to be said about the pairing of Bobby & Mike, comparing to BOB & MIKE; MIKE saw the face of God, but Bobby is the one who saw the light in this duo.
The flashing lights of a cop car. Dr. Jacoby's iconic 3D glasses-flavored shades (note that Jacoby and Ben both hailed from the Robert Wise-directed 1961 film adaptation of West Side Story, the famous 50s musical depicting rival gangs experiencing a Romeo & Juliet plot amidst culture clash in NYC). Lil the Dancer, communicating through expressive dance a coded message in FWWM. A barbershop quartet in the background behind Coop & Albert in "Coma".
I believe it's The Secret History of Twin Peaks book that is paired with red and blue filter lenses, so you can view certain hidden information? Either way, Lynch likes his 50s/60s Americana; reminds me of Castle Horror gimmicks.
The blue flower was a central Romanticism symbol; as blue roses don't occur in nature, they hold an air of mystery and fantastic possibility. Tennessee Williams used the blue rose to symbolize the fragile & unique character Laura(!!) in The Glass Menagerie.
The sign outside One-Eye Jack's. Red pairs often with green or black in gambling/casino situations; from the card deck motif for the sex workers to the mix-match patches of a roulette wheel. The malfunctioning lift for Leo in "The Orchid's Curse." The stage behind Julee Cruise during Roadhouse performances, especially "Lonely Souls." Even though the Red Room is known for its red, we see eventually that the Lodge holds strobing blue lights and the milky cataracts of doppelgangers. In a more peaceful sense, blue light washes over Laura as she smiles in the Lodge at the end of FWWM, reunited finally with her angel.
You can practically hear the buzz of the neon zapping into life from here. Knowing how important electricity is to Twin Peaks, these little details really stand out.
Ben and Jerry, at various times, switch between the two to complement each other much like the Miser Brothers. We also see it in Ben's interactions with Catherine; their affair in "Traces to Nowhere" finds Catherine clad in a powdery blue blanket, Ben's fiery tie, Catherine's ruby toenails (sidenote: not a fan of the Tarantino interaction). We see more of this Ben-Catherine color scheme in "Cooper's Dreams" during the Iceland convention with Leland's impromptu dancefloor breakdown. Ben, as central locus for Twin Peaks's criminal element, seems to be a lightning pole for these color dynamics. Notable is his integral need as a character to keep his publicly clean image and seedy underworld dealings separate, the perfect human symbol for Lynch's sequence in Blue Velvet's intro depicting the rotting & squirming insects buried beneath the idyllic Levittown surface of Lumberton. And Ben, even beyond his perennial cigar, enjoys many scenes by the fire of a hearth.
Ben floats through the two by himself on a regular basis, which I think ties into his role as the uber 80s corporate & cold American businessman, espousing social niceties & charm but hiding his sinister and impulsive skeletons in the closet. It's almost like he should be Lodge, but he's only run parallel to it as a human being.
Likewise, when it comes to the Lodge, BOB and the Man from Another Place/The Arm make a perfect red-blue pair. I noticed this especially in FWWM during the chaotic convenience store sequence. Given that during the night the sky can range from black as a cup of Coop's coffee to a Prussian shade, by following a Goethe color theory mindset, we can admit "Blue is a darkness weakened by light." BOB never comes off weak, but as a possessing spirit, for the viewer, his sudden appearances/reveals herald a (at times literal) spotlight into the black oil that is his essence (follow this link for a Youtube vid that informed some of my own theories). Goethe characterizes blue as common (think of country folk and bikers and truckers), as well as cold and melancholy, powerful. Red is much easier for The Arm; in addition to evoking the Christian iconography of a devilish imp figure, he is pure fire, the kind that truly walks with you (Goethe considers red as beautiful, dignified, closer to the essence of light; perhaps this echoes the Neoclassical Venus statue found often with Red Room curtains, or the red lipstick of the various beautiful women commonly prey to Twin Peaks).
BOB's always clad in blue denim to match The Arm's impish red suit. Noticeable since they remain the two most active agents as Lodge creatures, continuing the BOB/MIKE dualism that existed pre-show.
Given the only color left to throw in is white (HMM,, White Lodge? Sarah's pale horse? Leland's hair? The stuffed arctic fox in Ben's office? That weird long-faced elk thing at the Packard-Martell house? Pete and Coop enjoying/trying to order a mug of milk? The Tremond/Chalfont boy's white mask?) and you have the Star-Spangled Banner itself (the mini-flag at Twin Peaks Sheriff's office that flanks Coop while he's sitting across the table from Dr. Jacoby, as well as Coop's fixation on the full-sized incarnation while he's in the Bros. Fusco's office during his Dougie stint in The Return, are just two instances). Notable as a tri-color national aesthetic, red white & blue sometimes finds its way back in altered forms: straightforward visual representation with the Icelandic investors, as well as more tonally & artistically-derived influence from Lynch's favorite country (we'll forget the agonizing French hookup leaving scene from The Return and think more of Monica Bellucci's dream sequence, or Ben & Jerry orgasming over fresh baguettes with brie).
Great shot from Tim Hunter here.
Part 9, \"This is the chair.\" I remember this sequence being a spark of sorts, tantalizing to see Coop stir somewhat from his Dougie stupor.
While it should come as no surprise an American show would have many American-specific themes, I'm often convinced that Lynch is using the visual shorthand to simultaneously sing, criticize, celebrate, and reflect on what it means to be America. It is not coincidence that Dale Bartholomew Cooper's name reflects the notorious Pacific Northwest hijacker D.B. Cooper, or Harry Truman with the 33rd President (who, mind you, ordered the atomic bombs dropped in WWII). Or Franklin "Frank" Truman with the 32nd, for that matter. Coop openly ponders the Kennedy assassination (itself rife for conspiracy theories and speculation, much like TP) in a log to Diane, as well as Marilyn Monroe's involvement with the family; who else is Laura Palmer but a hometown Monroe?
Much like D.B. Cooper, Coop took a historic leap.
I would love to dig down deep and really review all of his work to understand more about Lynch's fixation on Lincoln (a portrait is in the Donna/James classroom when Laura's death is announced; a dramatic shot in Blue Velvet fixates on Lincoln Street which divides the town's good/bad parts & has an antagonist by the name of Booth; the "Gotta light?" Woodsman in The Return).
Now if someone could explain this connection... Dick says this right before the fire alarms go off and swamp Leland with water while BOB rams Leland's head in to break his last vessel and escape from justice.
Why Lincoln? I refer to it as The House Divided. Lincoln is one of the most recognizable presidents, partially due to his assassination (Kennedy echo), partially due to his role in the Civil War and how America resolved its most divisive internal conflict. He's emblematic of the Old America and the New America, slavery and post-slavery, secession and preservation. Somewhat like Republicans & Democrats, red v. blue. We know the toy Lincoln Logs, we hear the term Lincoln Lawyer, he's even one of the faces on Mt. Rushmore (referenced explicitly in The Return - "There they are Albert, faces of stone"- as well as compositionally in "Cooper's Dreams"); given the existence of both a Black Lodge and White Lodge in mythos, I think it's safe to draw at least some broad comparison to black America and white America (as well as Windom Earle's fetish for chess). Even as a goofier entry during Season 2's decaying period, Ben's mental lapse into General Robert E. Lee and fixation on the Civil War (mirroring Johnny Horne's fixation with the indigenous headdress and colonist America) gives some meat to this motif. Although it's never quite outright verbalized in show, one gets the sense that America is inherently built on some original sins. The water in the well was poisoned before the Trinity test
Notable too for the context of having Hawk (Nez Perce) included in this recreation. Mt. Rushmore was originally a sacred place for the Lakota Sioux; its present condition is considered desecration to their culture. America in its current incarnation was founded on the genocide and forced relocation of its indigenous peoples; Twin Peaks is loaded with Native American patterns and imagery, i.e. The Great Northern.
Note as well that red, by itself, can easily be tied to Twin Peaks's lifeforce, and by extension Lynch's entire repertoire. Fire. Red velvet curtains. Lipstick and nail polish. Blood. Pete's fisherman flannel. Audrey's heels, and her cherry trick. Norma's cherry pie. Log Lady's frames. "Let's rock" on Agent Desmond's car in FWWM. The women at One-Eye Jack's. The blooming roses peaking through white picket fences in Blue Velvet. The vast majority of neon signage (The Roadhouse especially). The traffic light at Sparkwood & 21. Leo's ostentatious Corvette. The lifeline zigzags on the high school walls. MIKE, in Philip Gerard, is fond of red tops, connecting him directly with The Arm. Much is made of Twin Peaks's proximity to Canada in the original series; the corrupt Mountie during the internal investigation arc stands out. The balloons at Dougie's corporate plaza. The Scarlet Letter. Lancelot Court, red door. Laura Palmer's Secret Diary.
Night time, my time. Red can be a carnal color, igniting passion, but also a warning to stop, turn back. Often we find it in the company of characters who have experienced a lot in Lynch's world, and not too much good.
And blue too. Blue is much more sparing in Twin Peaks, to greater mystical effect. Blue Rose. Laura's cold lips in the Pilot. Blue Velvet. Isabella Rossellini's dramatic eyeshadow as Dorothy Vallens. The waitress outfits at the Double R Diner. Leo's button-down when Shelly shoots him. The light in the morgue as Hawk tails Philip Gerard. The lifeline zigzags on hospital monitors (how they spike with Ronette, how they fall flat when Leland strangles Jacques). Ronette is swaddled in soft blue blankets during the S2 opener, her tilted head recalls Marian imagery (interesting from a Madonna-Whore complex standpoint); two episodes later her IV drip is tainted with blue dye, a visit from BOB. Maddie Ferguson's nightgown during her carpet-stain vision. Coop's iconic jammies. Rita's blue key & Betty's blue box in Mulholland Drive. The woman's hair at Club Silencio. Whenever television sets or camera footage shows up onscreen in Twin Peaks, there's a noticeable cool blue tint: think of that first tape, Laura & Donna dancing in the woods; the static showcased in the opening credits to FWWM; the footage of Coop gambling, obsessed over by Jean Renault. Gordon & Albert speaking together after meeting with Mr. C and watching Tammy walk away. Flashes of lightning. The sign at the Luna Lounge, where Fred Madison plays his discordant sax solo in Lost Highway.
Two dead girls wash up in the water. Calhoun Memorial's morgue stays bathed in blue light. Louise Bourgeois claimed it as hallmark, stating blue left behind \"the drabness of day-to-day reality\" for \"a world of freedom\", inner truths. BOB is certainly free.
Beyond red and blue, the colors I tend to notice in Twin Peaks are pink and green (notable for following a warm/cool polarization as well), which do not concern themselves to the same extent with Americana, if at all. Pink is much more sparse in its application, typically feminine: Nadine's prom dress during her suicide attempt in the S1 finale; Naido/Diane's bathrobe in The Return; the drapes behind the new One-Eyed Jack's girl Ben sleeps with in "Zen" (purposefully designed to evoke a vagina, in my opinion); fudging into purple, but we can count the Mauve Zone and Coop's run-in with Naido to an extent; Gersten Hayward's princess outfit during her piano performance for the Palmers; the trio of Candie, Mandie & Sandie; the gut-churning Pink Room sequence from FWWM with Laura & Donna.
Candie was a surprising standout for The Return. I felt these girls were a commentary on One-Eyed Jack's in the way the Mitchum Bros. were commentary on Ben & Jerry; where Ben & Jerry enjoyed public acceptance but indulged in dark secrets and ran through vulnerable sex workers, Bradley & Rodney have a dark reputation/entrance but ultimately possess hearts of gold, rescuing at-risk women like these three.
Green is more expansively utilized, and supernatural in tone: the billowing leaves of those Douglas firs in an ominous breeze; the iconic Twin Peaks font's outline; the guiding light we see through Dougie's eyes (which I assume has always been a part of Coop's psyche and intuition); Dougie's iconic oversized jacket; the infamous Owl Cave ring; the vintage lampshade adorning Ben's desk; the childhood bike Ben fondly recalls in The Return; the framed picture of the tall pine in the Sheriff's Department lobby; the tiny fir stuffed by the partition in the Palmer household; Jade & Emerald, even. Ben says to Leo, conspiring to burn the mill in "The One-Armed Man" - "Three nights, Leo. Green light." Something about it reminds me of Jay Gatsby's over-analyzed yearning green light from the F. Scott Fitzgerald classic; the idea of the American Dream with wanton capitalism, and how it's impossible to achieve (am I crazy for thinking there's a connection between Big Ed's Gas Farm's neon egg sign and the West Egg/East Egg class divide?).
Of course, the owls are watching. Much like the eyes of Dr. T.J. Eckleburg.
Ed's business harkens to how convenience stores (early-to-mid-century modernist American consumerism) were both the pumping blood and desiccated bone of our culture, as well as the Woodsmen womb. It also reminds me of old-style egg timers, and what is Twin Peaks but a show obsessed with the manipulation and perception of time? Was it the chicken or the egg that came first? Is it future or is it past?
By the time of The Return, we have lost these overly saturated tones, but the direct symbolic use of color is still integral to a Peaks viewing. I find it even more interesting that The Return made extensive use of black & white footage. Eraserhead and The Elephant Man alike (I've found both hold the spores for concepts and aesthetics fully developed in Lynch's later filmography, like the chevron Lodge floor pattern we all dearly love) were filmed in this manner; I feel Lynch chose this as nod to this earlier work, as well as the old formats of pre-color TV and film, like WWII newsreels. I find it relevant as well that older generations dream in black & white, a vanishing phenomenon which is directly related to the media of their era. B&W film informed the visual rhetoric of their unconscious minds; we, as younger Americans, dream in Technicolor.
This is the first shot we see of The Elephant Man. Notice how this is specifically his left arm, hand floating over the flame. Later in the film during a particularly moving sequence, Merrick first proves he is capable of speech for the first time by reciting the 23rd Psalm in a louder and louder tone, mirroring Annie Blackburn's prayers while Windom Earle led her bound into the Lodge.
The black & white sequences occur within the Lodge, relate directly to the Lodge - may Part 8 live forever in its atomic power - or otherwise involve unexplained phenomena (Cole's Monica Bellucci dream). By the time of The Return, a disconnect with the past and nostalgia is a core theme. The colors have faded. Coop, a half-baked shadow of himself, only gets restored by the chance mention of Gordon Cole's name in Sunset Blvd. Note Billy Wilder's 1950 film revolves around an aging actress lost in the reverie of her long-gone prime. (Also note her insistence, when William Holden's character asks her about the Salome film script, she's not conducting a "comeback" but a *return*; this, I feel, ties in as well to Major Briggs's underappreciated vision scene, emphasizing the idea of a return.) Although not shot in black & white, Pete, assisting Catherine as she tears apart their library, pauses for a moment during "The Last Evening" to linger on his high school yearbook. He's lost in the old pre-color photos, in the memory of Midge Jones, a man we never know. He's returned to a place in his youth, much like Garland's return to the gleaming, radiant marble of the fantastic palazzo in his S2 vision.
These two live in a retro-futurist Art Deco fever dream, accompanied the very appropriate Slow 30s Room soundtrack piece. Everything about the Fireman & Senorita Dido tells me of an America past its prime. I'm also convinced this was what Lynch envisioned for Briggs's palazzo; if only Don S. Davis was alive for The Return.
There's a plethora more I could get into, definitely for another thread: the preoccupation with trinities, animals, rings, technology, fine art references, and sonic elements are on my mind as well. I need to rewatch The Return again soon so more connections and thoughts are present. Let me know if you guys enjoyed this rambling mess!
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Cruse (Canrival / Royal Caribbean)Stock Holder Cruise Discount/Credits

Questions:
Has anyone used the "stock" discount for the cruises?
Is this a good time to do this?
I can't find the thread I found someone mention to get credits on cruises as shareholders. I found a link below saying I need 100. One doesn't have a link to FAQs, the other shows a PDF but says its through July 31, 2010.
100 shares of Carnival Corporation @ 11 = $1100 100 shares of Royal Caribbean Cruises Ltd. @ 34 = $3400
Found at https://www.cruisecompete.com/shareholderbenefits.php
Cruise Shareholder Benefits Instructions
Cruise travelers who own at least 100 shares of stock in Carnival Corporation (CCL) or Royal Caribbean (RCL) can receive up to $250 in onboard credits during their next vacation at sea. Just follow the instructions below to secure your shareholder benefit.
Royal Caribbean Cruises Ltd. Royal Caribbean International Celebrity Cruises Azamara Cruises The onboard credit is offered exclusively to shareholders that directly own a minimum of 100 shares of Royal Caribbean Cruises Ltd. at time of booking. To take advantage of this offer, the following items must be submitted:
A photocopy of your shareholder proxy card or a current brokerage statement showing proof of ownership of at least 100 shares of Royal Caribbean Cruises Ltd. Your name (the owner of the 100 shares will receive the onboard credit.) Your home address, telephone number and e-mail address Your ship and sailing date Your confirmation number Your Captain's Club or Crown & Anchor Society Number (if any) Please send the above to:
Royal Caribbean Cruises Ltd. Investor Benefit P.O. Box 02511 Miami, FL 33102-5511
Alternatively, you may fax all of the required documentation (in a single fax) to 305/539.4645, or mail .jpeg images of all required documentation to [email protected].
Note: RCL has imposed additional restrictions about how benefits can be used and combined with other offers. See RCL's FAQ for more details.
Carnival Corporation Carnival Cruise Lines Princess Cruises Holland America Costa Windstar Seabourn Cunard Line The onboard credit is available exclusively to shareholders holding a minimum of 100 shares of Carnival Corporation or Carnival Plc. Employees, travel agents cruising at travel agent rates, tour conductors or anyone cruising on a reduced-rate or complimentary pass are excluded from this offer.
This benefit is not transferable, no combinable with any other shipboard offer and cannot be used for casino credits/charges and gratuities charged to your onboard account. Only one onboard credit per shareholder-occupied stateroom.
Shareholders must provide the following information with the initial deposit to your travel agent:
Name Proof of ownership of Carnival Corporation or Carnival plc shares (i.e. photocopy of shareholder proxy card, shares certificate or a current brokerage or nominee statement). Reservation number Ship and sailing date See Carnival's official announcement here.
Extra: Reddit search is so bad
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(OFFER) HUGE LIST- Avengers: Endgame, Strike Back: S6, Poms, Barry:S1, Batman Beyond: S1, Border, Elvis, FightingWithMyFamily, Hobbit, Hocus Pocus, Little Mermaid, Iron Man 3, Lion King, Peter Pan, Shazam, The Incredibles and More! (WANTS) Shorter list, vudu, credits, and more

Trades:

Wants: (MA/Vudu Only)

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A post mortem of Britney Jean, 5 years later


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“I can't believe this is my eighth studio album and I know I keep telling you that it is my most personal record yet, but its true and I'm really proud of that”
This quote from The Legendary Miss Britney Spears would most likely haunt her for the rest of the career, especially because it came in the eve of the release of her infamous 2013 album Britney Jean, whose title anticipated a rare introspective look into a star with over a decade on the spotlight (most of the times for the wrong reasons)… also, it came right after her previous album, 2011’s Femme Fatale, became her first full-length effort without any songwriting input from the Princess of Pop, although a Japanese bonus track features a co-writing credit from her.
Of course Britney Jean deserves most of the criticism it receives and yet, it also deserves way more than just being outright ignored even by most of Britney’s diehard fans: Britney Jean is more than just Work Bitch and 13 b-sides, is more than Brit’s most dated-on-arrival release… Britney Jean is a case study of what was pop in its time, what changed and why it stopped being as popular as it once was….

POP BEFORE BRITNEY JEAN

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Early 00s pop music was being left aside by the general public during the heydays of gangsta rap, Timbaland/Pharrell-infused R&B and rock/nu-metal… at least until around the period between 2007 and 2009, the start of the Golden Era for popheads: The anthemic choruses, the prominent synths, the light and care-free nature of the lyrics, everything was there to pump you up and make you dance… however everything would change in 2013, when streaming was finally introduced to the Billboard formula. After the satirical K-pop track Gangnam Style by Psy took the world by storm, it was noticed how in the United States the song was blocked from the top spot by the inconsequential One More Night by Maroon 5, even if Style had the lead in sales for most of the 12 weeks it stayed at the Top 10 (as you might have guessed, radio had something to do with that), pushing Billboard to update their methodology and add streaming to the mix.
The first song that benefited from the change in the tracking methodology would prophetize what would come next for the charts in general: Harlem Shake, a nearly-instrumental meme song debuted at the top spot and stayed there for 6 weeks total. Another novelty song, Ylvis’ The Fox (What Does The Fox Say?) would visit the Top 10 later in the year based on virality alone.
Although rap, indie music and more traditional pop music found their way during this year, the presence of outliers like Lorde’s Royals, genre-defying tracks like Avicii’s Wake Me Up! (a country/folk tinted EDM anthem) and Florida Georgia Lane’s Cruise (considered the grandfather of the bro-country genre, made popular on pop radio thanks to a tackled-on rap feature by Nelly), and the aforementioned viral hits not only showed that general audiences were craving something new, but their success would pave the way for a big change in pop music.

BRITNEY BEFORE BRITNEY JEAN

"Sometimes you don't need to use words to go through what you need to go through, sometimes it's an emotion you need to feel when you dance, that you need to touch. And the only thing that can touch it is when you move a certain way."
Britney Spears on the For The Record documentary, one of the rare glimpses she gave us on her life before Britney Jean
Britney, of course, was partially a pioneer and a tail-rider of the maximalistic electro sound of the era, as proven by the influence and cult following of what most people consider her magnum opus, or at least her more direct and honest album, 2007’s Blackout, which is ironic considering that Britney only has two writing credits in the whole project and how even The Unstoppable Danja called it ‘impersonal’.
After Blackout, Britney would continue to ride the same sonic palette with her follow-up, 2008’s Circus and then move onto Femme Fatale, which, in spite of its “forward-thinking” nature (as described by the label-appointed producer and current persona non grata Dr. Luke) and slick production, it was heavily criticized for its anonymity and lack of input of the singer in the record, which led to Britney to defend herself stating, rightfully, that she had nothing to prove.

THE MAKING OF A PERSONAL ALBUM

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The mastermind behind Britney Jean was none other than hitmaker will.i.am, whose involvement on the record came as a surprise to no one given how they have collaborated twice at that point and get along really well (you can read more about it in this post I made a couple of months ago), however, the Black Eyed Peas frontman doesn’t deserves all of the credit for the record as Britney herself decided that she would be more involved and had a pivotal role into the making of this record.
Although the early stages of the album pointed towards a more hip-hop release, will.i.am’s involvement and her chemistry with Britney put her forward into the recording and making of the album.
Realizing that she wanted a more straightforward release that wasn’t as bouncy and genre-hopping as her predecessors, Britney searched with will.i.am a series of collaborators that could help her bring her ideas to life, as she didn’t wanted to sing impersonal songs that her team just happened to receive; this, unfortunately, ruled out the involvement of the Saint Patron of pop production Max Martin, although it relegated Dr. Luke to a sole bonus track so that’s a win in my book. Britney Jean is her only release in which she’s credited as a co-writer in each track, including bonus tracks… her closest before that was In The Zone in which 9 of the 14 (including bonus) tracks sported a Britney co-write.

THE PERKS OF BEING A PERSONAL ALBUM

I have been through a lot in the past few years and it has really inspired me to dig deeper and write songs that I think everyone can relate to […] I want to show you the different sides of Britney Spears.
I am a performer.
I am a Mom.
I am funny.
I am your friend!
I am Britney Jean.
Britney Jean Spears
Britney has never been the kind of performer that would pour her soul into her lyrics, and even have occasionally distanced her private life from her lyrics (she famously rejected the Timberlake-bashing Sweet Dreams My LA Ex, later given to ex-S Club 7 member Rachel Stevens as her debut single), although in the few glimpses we have gotten from her real persona (the stunning Everytime and the dubious My Baby for example) have always leaved her fans with the idea of her getting more involved with the subject matter of the tracks… I mean, the exploration of fame in tracks like Circus and Piece of Me are great, but what about explorations of who is Britney?
Britney Jean is her first album released in her 30s, and after finally deciding to get this involved in the songwriting department 15 years into her singing career was no fluke: chalk it up to coincidence, to the fact that it was long due given her background (Britney had lived A LOT of unwanted stuff during her career, married twice, had two kids, survived the most public mental breakdown unimaginable and more while being one of the most successful female performers currently working… also, that year she had ended her engagement with her manager Jason Trawick) or to misogyny (if you wanna go there) but female singers seems to go personal and/or mature in their 30s, with some popular examples including Madonna’s Like A Prayer (described by her as being "about my mother, my father, and bonds with my family"), Mariah Carey’s post-divorce genre-bender Butterfly (if her birth year is believed to be 1969), Beyoncé’s whole post-Matthew Knowles era (4 was released three months before she turned 30), Nicki Minaj’s back-to-my-roots release The Pinkprint and Katy Perry’s purposeful woke pop release Witness (Katy, I love you but 💀) among others.
Another thing to consider is that doing “personal” songs have always being interpreted as tracks with stripped-away or piano-driven arrangement, something that Britney, who had sung about being on the club or having sex (or even both on the same track) so many times it kinda become her trademark, is not something she’s might get allowed to do, especially when the current-at-the-time pop scene and Britney’s then-current sound were a far cry from the kind of sound these “confessional” tell-all songs normally have.

#BritneyPleaseSavePopMusic

(this was a real hashtag that was worldwide trending topic on Twitter in September 2013)
With the anticipation of what a Britney-fied personal record would sound like, anticipation was in an all-time high among fans… so it was natural that her most introspective record would be anchored with an EDM song called Work Bitch. In Britney’s defense, will.i.am pointed out almost immediately how the braggadocio track didn’t represented the album but it was rather about Britney Spears herself.
Promoted with what was heavily rumored to be a 6.5-million-dollars budgeted video which was supposedly heavily sanitized from its originally sexed-up original version (more on that later), the video itself represented most of the promotion the whole album received, as the album’s second and final single (Perfume) was left to rot in negligence after the album’s release.
Outside of a couple of TV appearances (not performances, just interviews), including one to promote her then-upcoming “2-year” Las Vegas residency Britney Spears: Piece of Me, and an E! documentary about the making-of the album and said residency, no actual promotion took place for Britney Jean, which led to the inevitable.

BRITNEY UNLEASHES HER MOST “PERSONAL” ALBUM

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Britney Jean was unleashed to the world on December 3rd of 2013, one day after the Princess’ birthday, and was a big commercial disappointment, debuting at number 4 on Billboard with sales of 107,000 copies (a little bit more than a third of the sales of Femme Fatale), even lower than those of her debut album …Baby One More Time; 3 years after its release, BJ had sold less in the United States than FF in its opening week, although it was eventually certified Gold by the RIAA… this February. Internationally, the release didn’t fare any better and debuted at record-low positions for her releases in most international markets, including missing the Top 30 in the UK.
As most of you already know, reviews we’re nasty all around, the worst of Britney’s career. Because of the somewhat mean content of some of those reviews, I would instead resume what are the biggest perks critics had with the release:

SING A SONG OF SIXPENCE, MISS BRITNEY SPEARS

After one of the songs leaked ahead of the album’s release, there were accusations that backing vocalist Myah Marie (who had appeared on Brit’s previous two albums) was the lead singer not only on said leaked track but also in a large portion of the album (this is what she sounds like), accusations that Marie herself denied as well as Britney’s reps.
Her representatives claimed that Marie wasn’t involved in neither Perfume nor Passenger, the tracks that were the source of most of the controversy, and ultimately she wasn’t credited in none of those songs, although she’s credited as a (not background) vocalist in several of the other tracks of the album (mostly the Preston-produced songs as Work Bitch, Tik Tik Boom, Til It's Gone, Chillin' With You and Now That I Found You), including Alien (in which she’s not credited), who had a vocal steam leak in 2014 which showcases how uncanny is Myah’s impression of Britney is. A credited background singer is Sia in her co-composed single Perfume, which was the source of a weird misstep when Britney was caught lip-syncing to a version of the song with Sia’s vocals forefront in the mix.
A lot has been said about how Britney’s signature singing ‘baby’ voice is not her real one, how do they compare and how much damage has done to Brit’s current vocal chops, and even though she can still sing wherever she wants to, it’s quite obvious that she’s not that comfortable with it and, as such, she prefers to enhance her voice with the use of technology and some studio trickery… also, she might have gotten used to it considering how effortless and vivid were her earlier performances… here’s I’m A Slave 4 U at the 2001 VMAs just because how iconic it is.

BRITNEY JEAN… BY BRITNEY JEAN SPEARS

"People can take everything away from you, but they can never take away your truth.
The question is: Can you handle mine?"
Britney Spears in a song that’s not from this album and not originally from her
Described by critics as “a concept album about the loneliness of pop life”, Britney Jean actually open with quite a promise with Alien, a mid-tempo, melancholic, airy, ethereal dance pop opener that works as a more teenage-sounding version of Ray of Light, which is not surprising considering the involvement of said album’s mastermind (the aforementioned William Orbit) and that sonically picks-up where FF closer Criminal left off, but lyrically is quite different, as it portrays Britney having an intimate and personal realization that she, after years of tumultuous and erratic events, has lost grip of who she was and how she felt like an extraterrestrial in her own world; however she realizes that she’s not longer alone as she looks at the glow in the stars as a light to guide her home away from her insecurities of the past, and to feel safe and finally finding comfort in her true skin, as the chorus repeats the catchphrase ‘not alone’ “until it is pitchshifted up like a departing space ship
Originally intended to include Gaga in the song (and also supposed to be released as a single, which unfortunately didn’t happened), Alien was considered the conceptual and musical highlight of the project by critics, and is easily the most personal, vulnerable and my personal highlight of the project… which made everything that came afterward a hard pill to swallow. Before that, I can’t help to mention THE GLITCH (2:14 in the song), which was apparently, as everything wrong with music of the period, will.i.am’s fault.
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Work Bitch (alternatively known in censored form as Work Work, or in the explicit version as Bitch Bitch) is a hard hitting EDM smasher and heavy mood-whiplash, which was definitely not co-written by Sebastian Ingrosso, in which Britney gently asks us (over a basic club beat which grows more overloaded as the song moves forward) is we want a hot body, an European luxury car (either a Bugatti, a Maserati or a Lambo skirrt skirrt skirrt) or to sip martinis while partying in a big mansion in France, only to disappoint us by calling us bitches and telling us to better work as if we were supermodels and she was RuPaul.
WB is, if you wanna practice some mental gymnastics, more ‘personal’ than its given credit for, as Britney details how much benefits she gets from hustling all these years, and inviting us to dance with that smashing wall-of-sound-laden beat that drowns most of the track. Way more forward-thinking and exciting that everything that comes after it, WB has become somewhat of a new classic for the Princess of Pop, and is pretty much deserved of said designation.
Perfume, co-written by Sia, is another album highlight (actually Britney’s favorite from the album) and one of the finest ballads of Brit’s late-catalogue. Written about her ex-fiancé Jason Trawick, the song deals with Britney’s insecurity about a current relationship, with Britney singing with some of her strongest vocals in years about how she believes that her partner is cheating on her and how she puts on her perfume in order to mark her territory. Released with a tie-in with her perfume Fantasy, the song kinda flopped worldwide and halted all of the promotion of the album, however it still remains (alongside the rawer Dreaming Mix, included as a bonus track) as one of the most interesting songs in 2010s Britney catalogue.
The music video, directed by known troll and middling talented videomaker Joseph Khan, has an unreleased director’s cut in which the straightforward concept of a cheating partner is changed to that of Britney playing the Angelina Jolie role in a gone-wrong version of Mr. and Mrs. Smith sans the boyfriend who is also an assassin.
It Should Be Easy finds Britney’s voice drown in both the auto-tune setting used by Kanye for the Runaway coda and the vocals of guest-star will.i.am in the chorus, all while produceco-writer David Guetta rehashes Swedish House Mafia (which originally broke up the same year in which BJ was released). The song, about Britney imagining a bright-normal-future with a man who had stolen her heart, stating that love “shouldn't be complicated”. Although I like this song, and her team obviously likes it to as it commissioned remixes to be serviced to clubs, it signals when things start to go somewhat downhill.
Tik Tik Boom, the T.I.-assisted fifth track, was always dubbed as a potential third single (remixes were commissioned but nothing official ever came up), and it’s not hard to see why: as one of her rare collaborations with a rapper, the static-y, dance-floor ready production presents Britney teasing a male partner with a night of… well… tik tik boom… that means sex, doing so while serving some circa-2001 sexy vocals as T.I. raps about treating her like an animal up to the point that PETA (which hates Britney) should be called in response. It’s fast, it’s straightforward and yet, it’s kinda forgettable and also very disappointing coming from or Princess Urbanney.
Guetta comes back with Body Ache, another outdated EDM bop in which Brit (accompanied by vocoder and several dozens of vocal distortion treatments) sings about the kind of ‘I wanna dance so hard it gonna turn you on’ anthem which Miss Spears can do on her sleep, with a backtrack that sounds straight out of the EDM will.i.am was doing with the Peas during the Beginning/E.N.D. era. Also it ends in a somewhat anticlimactic way.
Personal Britney makes a return with this track that wouldn’t be too out of place in FF: The Guetta co-written Til It’s Gone, in which Brit realizes that, after losing the love of her life (Trawick), her life would never be the same, or how “you never know what you got 'til it's gone”. Coming some two years to late sonically, in terms of lyrics the track it’s another story, as some interesting imagery pops here and there and it’s nice to leave the dance floor behind, especially when talking about a woman who (at least in the previous albums) rarely shut up about them.
Katy Perry arrives on the record but not as a feature, but as a writer, in the Diplo-produced, Sia-co-written and Prism outtake Passenger, in which some interesting EDM beats moves out of the way after the opening (they come back, don’t worry) to reveal a refreshing and very welcome electropop rock song with some great Britney vocals about letting someone to guide her after she’s willing to let herself be his ‘passenger’. Great lyrics, daring production, good vocal performance… it’s not hard to see why critics loved this track so much, and it’s a shame it gets buried among so much underwhelming stuff.
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Chillin’ with You, the album’s most infamous moment, finds Britney dueting with her sister, ex-Nickelodeon star and attempted country singer Zoey Meredith Brooks, about hanging out together and drinking wine (Brit likes red, Chase Matthews' ex likes white wine) while, as the southern white suburban moms they are, they feel they have nothing else to worry about. Although the lyrics are… well… cute, and the subject matter is decidedly novel by Britney’s standards, the mixture of country and EDM doesn’t mash as well as the producers might had expected… also, the fact that their vocals were so obviously recorded in different sessions (as showed by the kind of chemistry you only see in cheesy 70s movies starring John Travolta and Lily Tomlin) makes the whole ordeal so surreal.
The album closer in the standard edition is Don’t Cry, a FUCK YOU MR. TRAWICK song in which Britney reassures his man that it’s not worthy to cry as their relationship was always directed to end no matter what they do, and how she’s gonna go to not see him all tear eyed. The bouncy but subdued dubstep back track by pop goblin and producer will.i.am enhances what is arguably Britney’s best vocals in the whole album and some really nice lyrics which still doesn’t work as an album closer.
Sia comes back in the first bonus track of the deluxe edition, Brightest Morning Star, and she brings with her current pop Pariah (that would be Dr. Luke, but he’s only in this track) to the mix, on a track about God (or maybe about her kids, according to Dr. Puke), or at least one that implies to be one; in Sia’s words: ‘Britney was extremely sweet. She came in with the title ‘Brightest Morning Star’ and told me that’s how Jesus found his way. She wanted to write a kind of gospel song that wasn’t ramming it down your throat’. Despite the good intentions, BGS is no Jesus Walks and it gets short in the musical department, with a surprisingly weak instrumental which doesn’t do any good service to the song.
Britney continues her religious quest with Hold on Tight, a mid-tempo ballad that in which Miss Spears details how God comes into her dreams (or it might be an Incubus?) showing her the path to righteousness, even when the road is not as friendly with her, and… to be honest, this is my least favorite song on the album, it’s just so forgettable even if it’s quite refreshing in the context of BJ.
To end the evening, Britney continues her unintentional audition to become a gospel singer with Now That I Found You, a shameless EDM track (with early-10s euphoric drop and everything) about how incomplete she was until she found Him (to be honest, this could also be another love song, but after two bonus tracks about God it’s easy to see where she was pointing towards with the vague lyrics) and how everything is better now. Unlike the forgettable predecessors, NTIFY is fun (dated? Sure… but also fun), it’s bright, it’s colorful, it’s happy, and one of my favorite songs on the record… even if co-writer Guetta basically ripped off his own hit Without You from 3 years before.

u/radiofan15’s UNWANTED OPINION ABOUT BRITNEY JEAN

Britney Jean is not an autobiography, it’s not a tell-all gossip-venting machine, it’s a clean, overproduced product of misdirection and lack of focus… and yet it’s actually fascinating in several ways: it’s arguably the greatest resume you would find of how pop music sounded in between 2008 and 2013, it’s a great bridge between the impersonal heavily-polished Femme Fatale and the serviceable and engaging Glory, which saw Britney leading the way on how everything would sound from the start.
It’s quite ironic how the album’s naming (taking a cue from Janet Jackson’s Damita Jo, her actual middle name) plays against it, as self-titled releases (unless they are debut albums) are associated with being in control of your output or reinventions (pop examples includes Paramore as their first release as a trio, Beyoncé to fit the minimalistic sounds and Janet Jackson’s janet. to showcase independence from the Jackson family) and unless you’re Led Zeppelin, Peter Gabriel or Weezer, the idea of having a second eponymous release usually means that audiences should expect to experience the performer in a never-seen before way. 2001’s Britney was the album that give a meaning to the phrase “I’m not that innocent” spurred in her previous effort, with lyrics talking about womanhood and sexuality being complemented with R&B vibes and rock/hip-hop elements. Britney Jean, when compared to Femme Fatale, is way behind the difference between Britney and Oops!... I Did It Again, which in retrospective is even worse as the relative freshness and reinvention of Glory leaves the ‘openness’ and ‘variety’ of BJ in shambles.
One of the album’s biggest mistakes is in its sequencing: the first three tracks are the obvious highlights, the next three are basically DOA EDM songs, the next four are the most “adventurous” musically speaking and the bonus tracks are all about God. Taking out some of the ‘pure club’ anthems could theoretically create an album more deserving of its ‘personal’ label, going full Spinal Tap and amp up the production values to do something crazier might have given us something that was at least digestible in a single listening.
The album, as it is, is not perfect, but it’s far from the dumpster fire more people called it, including some of the most interesting Britney songwriting in years (or even her career) and some tracks that are already started to show signs of cult classic. The only positive thing most people seems to agree with is how short it is: with the alternative mix of Perfume included, BJ is ‘only’ 50 minutes long (the standard edition is just 36 minutes long), which is something most performers (even today) seems to struggle with.
Also, she didn’t came to play games with the art cover and aesthetics this era, the album cover and the booklet is her most gorgeous to date, with the former having her most flattering front picture of any of her albums and the neon typography creating a very pleasing contrast with her elegant black-and-white imagery (in the deluxe edition) or the elegantly, milky pastel coloring of the standard edition.

THERE CAN BE 100 LISTENERS IN THE ROOM AND 99 LEAVE BUT ONE... - BRITNEY JEAN THE DAY IT DEBUTED

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Britney and her team gave up quite easily on Britney Jean and, honestly, they shouldn’t be blamed: the offer to have a Vegas Residency with a salary of $15 million dollars per year seems like the kind of offer a pop star and mother of two with enough money already for several timelines would accept, with the album itself being more of an afterthought.
Britney was originally slated to remain on the Planet Hollywood Resort & Casino for two years but ultimately extended her run for another two years, before finally touring overseas (without an album attached to the performances) during 2017 and 2018.
Because of the lack of promotion, Britney Jean underperformed when compared to Miss Spears’ previous releases, with estimated worldwide sales (as of April 2018) being close to 1.3 million copies, less than a third of Femme Fatale’s sales.
Truth be told, BJ flopped hard… HOWEVER, not everything would have turned out that terrible (not even in a million years it would have sold as much a FF but at least the downfall could have been smaller) with some actual promotion and interest from Brit herself.

SOME REACHING… I MEAN… THE SIGNIFICANCE OF BRITNEY JEAN

BJ is, in my opinion, a compilation of the era, the resume of “in the previous episode of” that you get on serialized TV shows, a farewell to the bombastic era of synth-heavy EDM club anthems with gratuitous drops and interchangeable lyrics. During the genre’s opus, some performers tried to bend this sound (and their equivalents) to their benefit, either mixing it with their style or playing with the boundaries of the sound: it could be a Taylor Swift doing a We Are Never Getting Back Together to get a broad crossover hit, a Lady Gaga mixing multiple genres to create a sonically complex pastiche called Born This Way, or even straight-up jumping almost seamlessly from rap/R&B to club bangers like Nicki Minaj did in Roman Reloaded. Britney in Britney Jean did almost the opposite of that.
Britney Jean is, in some ways, a time capsule of the era in its rawest and purest form (some might differ and replace those buzzwords with generic and bland), with the average user being able to trace mostly any track to a style, influence, sub-genre or even performer. Listening to BJ is like watching a 70s movie in VHS in an old, square TV, basically an unintentional period piece that reflects the volatile, bombastic and extravagant style of those golden years of 2008-2013, which, within the mindset of Britney Jean sounds kinda tired and bland, surprising no one when that branch of pop went back into obscurity and irrelevance almost as fast as grunge music did when Kurt Cobain died.
Britney Jean came up in a time of transition of popular music, with streaming showing the kind of power it had on the charts and more subdued, minimalistic music taking the world by storm. Popular music, as you might already noticed, evolved into a slower, more melodic, calculated, numb, almost anticlimatic entity which was more fitting with our current social and political climate. To paraphrase Todd in the Shadows: 2013 had a hit literally called Happy and 2018 had both a hit called SAD! and another called Happier with a video about a dog that dies.
In terms of Britneyology (both the study of Britney Spears and the religion dedicated to her persona), BJ is also a glimpse into Britney the full-fledged artist. Britney has never been the kind of performer that gets heavily involved into her music, with Britney’s role being generally limited to the choice of songs, sequencing, development of sounds and themes with her assigned team of writers and producers, and performing of course; sometimes Britney gets involved into the heavier portions of her music (the classic Everytime is a great example of it) but most of the time she remains quite anonymous, with her voice and choice being overwritten by the men on charge, something that became quite apparent during and after the Dark Ages (2004-2008) with the cancelling of the legendary Original Doll, her lack of songwriting credits in both Blackout and Circus, and her much-criticized anonymity in Femme Fatale.
BJ was Britney deciding who does want to work with, what does she wants to sing and even how to equilibrate her musical and visual persona. Britney has always being in control of how is she portrayed on official media, most famously rejecting an animated concept for the video of …Baby One More Time in favor of a Lolita-inspired take on catholic school girls, and then the slow process from jailbait to grownup woman. During the post-production of the Work Bitch video, she clashed with director Ben Mor over the kind of content the video should show, as she was a mother in her 30s now instead of an unreachable male gaze fantasy.
With BJ, the Legendary Miss Britney Spears showed us how much she has changed since that controversial 2003/2004 period (the last time she was that involved with an album) in which she received the Kiss of Death from Madonna, suffered her infamous accident and, of course, married twice in a calendar year. This new Britney was a much-different person, and her voice deserved to be heard, and even if the results weren’t the greatest, it was a step into the right director for Britney to get what she always wanted: being a full-fledged artist capable of taking her own decisions and learning from her mistakes.

POP AFTER BRITNEY JEAN

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Coincidentally in 2014 most of the ambassadors of the dominant pop sound of the early 10s were either taking a musical break, flopping or changing lanes, so that year paved the way for the transition of what do we define as popular music, with the winners of the evolution race being trap (Fetty Wap’s Trap Queen), meme music from awful people (Bobby Shmurda’s Hot Nathans) or untalented losers (T-Wayne’s Nasty Freestyle, Silentó’s Watch Me), trop pop (OMI’s Cheerleader, Justin Bieber’s entire Purpose era) or whatever outlier track dared to pass through those filters.
What happened afterwards is a horror story most of popheads tells in fire camps a la Are You Afraid of the Dark?

BRITNEY AFTER BRITNEY JEAN

Glory , the follow-up Britney Jean, received very positives reviews and was considered a strong return-to-form for Britney, and even if it wasn’t as successful as her label might have wanted, the truth is that, at the end of the day, whatever Britney decides to do next (and considering the direction she seems to be taking) it can be as underwhelming as Britney Jean.

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submitted by radiofan15 to popheads [link] [comments]

casino credits on princess cruise video

Princess offers two different types of credits: Future Cruise Credits (FCC) and onboard credits (OBC). It’s important to understand the differences between the two, as they can be applied to different items. Secondly, purchased casino credits, the last time I did so far in advance, are posted as credits to your room account, accessed by making a room charge in the casino either at a slot machine or at a table game. This means you are held to the room charge limits: $3,000/day and $21,000/cruise. This last time was on Coral Princess, April 2016. Other's have reported that on other ships even after ... 1) Sign in to Princess.com 2) Click on "Future Cruise Credits" 3) Click on Onboard Credits. 4) If there's an offer of casino cash available to you, you'll see it here When booking, I simply tell my TA that I have some casino cash available and give him the "credit ID number" (blacked out far left) Available from your smart device and select portals all over the ship. View download instructions for Android devices. By clicking the above links, you are now leaving the Princess Cruises website and navigating to a 3rd party website that is not owned, operated, or controlled by Princess Cruises or any of its affiliates. I might be wrong, but this was my thinking on my last Princess cruise. I too struggled with trying to understand the relative difference between buying OBC or casino credits. I wound up buying casino credits. I figured if I wanted money for other onboard purchases I could just cash in chips for money. Worked out fine. Qualified UrComped VIPs receive Comped (FREE) and heavily discounted trips on Princess Cruises around the world! The smallest casino in the Princess Cruises fleet is Crown Princess with 163 slot machines and 10 table games. Onboard credit (OBC) is basically free money that you get to spend during the course of your cruise vacation. And, given the fact we all like free money, it’s worth taking a little time to ...

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